The Seven Lamps of Architecture, by John Ruskin

The Seven Lamps of Architecture, by John Ruskin

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The Seven Lamps of Architecture, by John Ruskin

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The Seven Lamps of Architecture is an extended essay, first published in May 1849 and written by the English art critic and theorist John Ruskin. The ‘lamps’ of the title are Ruskin’s principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice. To an extent, they codified some of the contemporary thinking behind the Gothic Revival. At the time of its publication A. W. N. Pugin and others had already advanced the ideas of the Revival and it was well under way in practice. Ruskin offered little new to the debate, but the book helped to capture and summarise the thoughts of the movement. The Seven Lamps also proved a great popular success, and received the approval of the ecclesiologists typified by the Cambridge Camden Society, who criticised in their publication The Ecclesiologist lapses committed by modern architects in ecclesiastical commissions. The essay was published in book form in May 1849 and is structured with eight chapters; an introduction and one chapter for each of the seven ‘Lamps’,which represent the demands that good architecture must meet, expressed as directions in which the association of ideas may take the observer: 

Sacrifice – dedication of man’s craft to God, as visible proofs of man’s love and obedience

Truth – handcrafted and honest display of materials and structure. Truth to materials and honest display of construction were bywords since the serious Gothic Revival had distanced itself from the whimsical “Gothick” of the 18th century; it had been often elaborated by Pugin and others.

Power – buildings should be thought of in terms of their massing and reach towards the sublimity of nature by the action of the human mind upon them and the organization of physical effort in constructing buildings.

Beauty – aspiration towards God expressed in ornamentation drawn from nature, his creation

Life – buildings should be made by human hands, so that the joy of masons and stonecarvers is associated with the expressive freedom given them

Memory – buildings should respect the culture from which they have developed

Obedience – no originality for its own sake, but conforming to the finest among existing English values, in particular expressed through the “English Early Decorated” Gothic as the safest choice of style.

 

The Seven Lamps of Architecture, by John Ruskin

• Amazon Sales Rank: #829334 in eBooks
• Published on: 2015-11-13
• Released on: 2015-11-13
• Format: Kindle eBook

The Seven Lamps of Architecture, by John Ruskin

Review Book-length essay on architecture by John Ruskin, published in 1849. According to Ruskin, the leading principles of architecture are the "lamps" of Sacrifice, Truth, Power, Beauty, Life, Memory, and Obedience. The noblest style of architecture was Gothic, but in time medieval architecture had lost the power to resist innovation. This loss of vitality was the result of the spiritual decline of Christianity during the materialistic Renaissance. The essay took the studies of a generation of medievalists and provided them with a general framework and a moral flavor. -- The Merriam-Webster Encyclopedia of Literature

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32 of 34 people found the following review helpful. Lamps for everyone By A Customer I first got this book to help study the principles of architecture and found that I could use the concepts in my everyday life. I am currently a student of architecture at WSU and found that the observations Ruskin was making about architecture 150 years ago still applied today. The seven "lamps" mentioned in his book not only apply to architecture, but can also be utilized in almost any field of study or occupational setting. The writing is wonderfully done and ideas are clearly presented to the reader. This is the type of book you get done reading and have a genuine desire to be better at everything you do.

34 of 37 people found the following review helpful. Be forewarned: Unashamed moralizing and aesthetic certainty By A Customer If you are looking for a "practical guide to thestructures and tools" of architecture, this is NOTyour book nor your guide. For John Ruskin is an art critic, classicist, andmoralizing aesthetic prophet. He is not an "art for art'ssake" temporizer or relativist. He not only knows whatHE believes...but he believes he knows what YOU shouldbelieve too. If that makes you uncomfortable or makesyou feel hampered, you might want to pass him by untilyou feel you can accommodate the "insult" and "restrictions"on your "free will choices." Otherwise, there is much ofbeauty, wonder, and insight to be gained in these pages. Ruskin's point of view is that of a classical Platonistmixed with the moralizing tenor of an exhorting (but notshrilly so) prophet toward beauty, Truth, and clarity ofvision...and moral purpose in Art. He also has a wondrousprose style which is both clear, compelling, and entrancing. This edition published by Dover as a reprint is of thesecond edition of the work from 1880. It also includes14 plates of drawings which Ruskin did to illustrate thepoints which he makes in the text. Along the way, Ruskin includes shortened Aphorismsin the margin which restate the bold face print pointswhich he is making in the text. In Chapter 2, titled"The Lamp of Truth," Ruskin stands forth most forcefullyand dynamically (and perhaps to the "modern," mosttendentiously) as the classical Platonic moralizerand aesthetic apostle/prophet/priest. Though raiseda strict Protestant, Ruskin rebelled and left Christianityfor a classical Paganism based on beauty, Truth, and clarity.Needless to say, this more than tended to alienate himand isolate him from the mercenary, industrializedVictorian world which was chugging along outside hishermetically sealed temple dedicated to Truth, Beauty,Goodness, and Clarity. Mercantilism and "practicalprogress" don't exactly exalt those four princples asthe means or the goals whereby to make money and becomesuccessful in the eyes of the world or popular opinion. But if you want to read about Truth and Beauty andread it through the eyes and soul of a lover of thosequalities -- and read it expressed in most beautifulprose and style (which is both poetic and powerful),then Ruskin and this work are clearly the choices youshould make. This excerpt from Ruskin tied to Aphorism 29 {"Theearth is an entail, not a possession.") clearly showsthat Ruskin's vision and prophetic power extend beyondthe merely practical realm of architecture into anall-encompassing total vision of responsibility andreverence: "The idea of self-denial for the sake ofposterity, of practising present economy for the sake ofdebtors yet unborn, of planting forests that ourdescendants may live under their shade, or of raisingcities for future nations to inhabit, never, I suppose,efficiently takes place among publicly recognized motivesof exertion. Yet these are not the less our duties; noris our part fitly sustained upon the earth, unless therange of our intended and deliberate usefulness include,not only the companions, but the successors, of ourpilgrimage. God has lent us the earth for our life; itis a great entail. It belongs as much to those who areto come after us, and whose names are already written inthe book of creation, as to us, and we have no right, byany thing that we do or neglect, to involve them inunnecessary penalties., or deprive them of benefits whichit was in our power to bequeath." Read...enjoy...benefit...

37 of 41 people found the following review helpful. rip off By A Customer The kessinger edition of this book is a rip off!!! do not buy it!!!i received a copy in which the margins on the pages were 2 inches all around and the text was so small. everything seemed to be copied with a fax machine, so there was lots of tiny black dots all over the pages. the images are so unclear. they were black and white with no grayscales and it was so hard to make out what the images were. i returned this book for a refund.buy the dover edition instead. its practically the same text except the text fills up the whole page and the pictures are clear. its also less than half the price of the kessinger edition.

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